Friday, October 30, 2015

Seven Deadly Prints

I just finished a 4-flap enclosure to house this suite of prints I made as a companion to Catholics. Each of the seven images is centered around a communion wafer/solar cross, which was printed with heavy impression from photopolymer plates. Surrounding this central image is a Bruce Rogers–inspired frame printed from metal typographic ornaments that alchemically shifts from print to print. The wafers/solar crosses animate a sequence that comments on narrative threads included in the artist's book, while also operating as an independent group. The suite was printed in an edition of ten, and is available either individually or paired with the book in a deluxe edition.

Thursday, October 15, 2015


The Drift Plain Collective is representing once again this weekend, as they bring a bunch of chapbooks, zines, broadsides, and prints to the 2015 Vancouver Art/Book Fair. They'll have copies of RUNX TALES and Catholics on hand, as well as some spectacular books and ephemera by Elizabeth Boyne, Karen Carcia, Cody Gieselman, Kimberly Maher, Elizabeth Munger, Kalmia Strong, and more. A culmination of Vancouver's Artists' Book Week, the Vancouver Art/Book Fair is hosted October 17–18 by Project Space, and is free and open to the public.

Wednesday, October 7, 2015

October shows featuring Catholics

Catholics is included in two artist's book exhibitions this month: the Sheffield International Artist's Book Exhibition in the UK and words|matter in Chicago. words|matter, an artist's book library, is hosted by Arts on Elston through October 29 and is dedicated to facilitating hands on interactions with books by over 70 artists. And the Sheffield International Artist's Book Exhibition takes place at Bank Street Arts through October 30 and features over 200 books. To find out more about Catholics, a limited-edition memoir told through text + image, click here.

Thursday, September 24, 2015

Drift Plain Collective at St. Louis Small Press Expo

I'm excited to have work included among the fantastic roster of artists represented by the Drift Plain Collective! The DPC will be tabling this Saturday, September 26th at the St. Louis Small Press Expo, taking place at the public library's Central Branch. From the DPC's website:
The Drift Plain Collective cooperatively distributes hand-crafted artist's books, chapbooks, zines, broadsides, and prints. Our offerings emphasize collaboration and innovative modes of storytelling that take form and materials as a crucial component.

Monday, September 14, 2015

Relationships as Collage

Anna Mebel wrote a new review of The Story of How All Animals Are Equal & Other Tales for PANK. About the two main characters in the titular story, Mebel says, ‘Runkle finds the tragedy and beauty in such mismatches—he treats relationships as collage.’ She also writes, ‘Runkle mixes fairy tales, love stories, satire, dystopia, prose poems, and careful observations of the ordinary.... The stories in the collection are driven by unfulfilled desire and the weight of unexplained, mysterious pasts.’ You can find the book over at Small Press Distribution.

Thursday, September 10, 2015

Fragmentation is the rule

For an artist's book, Catholics is unusually prose heavy. While I’m fascinated by the endless possibilities created by the interaction of text and image, I find unbroken blocks of prose equally compelling. Prose builds the meditative and transportive experience a reader undergoes when surrendering to story. A trance happens, one dependent on content more than form (as long as the typography has the grace to let you past). At the same time, despite its pathological tendency to wander into dense blocks of prose, I also think of Catholics as a graphic novel. The book’s images fill roles equal to its prose: drawingscollage, and images built from typographic ornaments serve as thematic counterpoints to the text.

But still, they remain separate, text on one page, image on another. There is a power, though, in turning that page and seeing the other side of the coin. Haptic agency connects two divergent ways of receiving information. My zine-making background causes me to privilege the chimerical results of collage: no matter how certain it seems that two scraps belong together, tactile cues identify them as separate entities. The places in between (between pages, between scraps) are where things get really exciting, where you can peer into the gaps between artifact and story. Fragmentation is the rule—a dictate that’s not so radical, really: the separation of text and image characterizes what is often dismissed as that most conventional genre, the livre d’artiste.

The eight prose sections included in Catholics are both anecdotal and informational. Their design is a nod to twentieth-century trade publications—books, but also periodicals. In these sections, magazines and newspapers recur as central objects, and the tell-all nature of the book’s subject matter often feels worthy of the scandal sheets. Because of this, I’ve drawn inspiration from the designers, compositors, and printers who once worked to produce mass-market ephemera. The prose sections are letterpress printed from The Times New Roman type, cast and set by M & H Type. Their titles and folios are printed from handset Spartan Heavy type selected from the University of Iowa Center for the Book’s Type Lab collection.

The book's prose sections are the origin points for exploring a range of subjects including Catholic-Masonic tensions, the fervency of converts, the legacy of the Legion of Decency, and the spiritual significance of revelatory shrouds. They relate my religious upbringing as they join with the book’s images to braid several themes: Church history, pre-Christian mythology, and the places where such spiritualities resonate with twentieth-century pop culture. In Catholics, text and image, the sacred and profane, the humorous and tragic, the zine and literary fine-press all end up as strange bedfellows in desperate need of confession.

You can learn more about Catholics here!

Friday, August 28, 2015

Writing the Visual | Story Box | Speculative Studio Archeology

I've posted three new workshop proposals on my website. They all engage with visual narrative, sequence, and collage as they incorporate elements of both creative writing and the book arts. They are adapted from classes I've taught at Mills College, the University of Iowa Center for the Book, and Iowa City Poetry's monthly Free Generative Writing Workshop. Click HERE to learn more!